Gettysburg, History and Folklore

   

Sachs Covered Bridge, Gettysburg

A few years ago, I was taking photographs at various spots in Memphis and wandered through Elmwood Cemetery. Established in 1852, the 80-acre cemetery is listed on the National Register of Historic Places. The dramatic entry bridge, the elaborate monuments and markers, and the beautiful landscaping (especially during the spring) provide stunning natural backdrops for landscape photography. It also offers inspiration.

For some reason, historical cemeteries give me ideas for stories. I don’t intentionally look to them for divine intervention, it just happens sometimes. This was the case with my book, Williamsburg Hill. The basis of the story was set around Ridge Cemetery in southern Illinois. Now it seems Elmwood Cemetery has given me the same jolt of motivation to finally get started on another historical fiction novel. 

When that “this could be it” moment happened, I had walked in front of a headstone for a man whose profession happened to be in the theatre. He had been a ‘Scenic Artist’ in the 1800s. For those who don’t know the relevance of this, my husband’s early professional career was as a Theatrical Designer. We live and breathe the theatre, and the business side of it. I don’t believe in coincidence, but I do think most things happen for a reason or for some purpose. The fact that I randomly saw this gravesite said something. It actually gave me a good shake and yelled, “There’s a story! Write about it.” 

I immediately attempted to find information on this man and documented all that I came across. Surprisingly, for the era and what he did for a living, there was more than to be expected. But there were plenty of gaps and holes to fill, dead ends, and dwindling trails that went nowhere. The more I couldn’t find, the more that I wanted to know. 

Then due to the pandemic and shut downs across the country, it became harder to find anything. Research was at a standstill, and my 19th-century Scenic Artist grew quiet. The muse wasn’t speaking. It seemed he was waiting for me to get it right. 

Interestingly, it was a trip to Gettysburg that brought him back to life. For those who are still planning a visit, don’t pass up seeing the Cyclorama. To say it leaves a person speechless is an understatement. Painted by artist Paul Philippoteaux, the massive Cyclorama depicts Picket’s Charge, the final attack of the Battle of Gettysburg. 

As I stood in the center of the room where the Gettysburg Cyclorama was housed, listening to the narration of the timeline, and viewing this magnificent art, I remembered. Philippoteaux had hired artists to work on the painting. The muse stepped out of the shadows; there he was again, reminding me that he, the Scenic Painter resting in Elmwood Cemetery, had been commissioned to work on a Civil War painting. Was I viewing his work? It was another good shake, a reminder, a path to take. Once again, I had direction and became excited to take on the challenge of writing this story. 

Our lodging in Gettysburg

Regarding Gettysburg, it was a trip that I’d wanted to take for a very long time, and it didn’t disappoint. We stayed in an historic house for the long weekend, walked the battlefields and the cemeteries, worked in getting to the museum (and Cyclorama), visited (and walked across) the Sachs Covered Bridge. The area is vast and overwhelming; I took a lot of photographs, but we only had time for the highlights. There’s so much history there. And yes, ghosts. It’s said that the Sachs Covered Bridge is extremely haunted. Our time there was during daylight hours and I got quite a few orbs and unexplained weirdness in a lot of photos; I can’t imagine how ‘visibly active’ it is at night. Since it’s rather isolated and off the beaten path, I think it would be a creepy attempt anyway, and one I would not do.

As for the research, the man in Elmwood Cemetery died before work on the Gettysburg Cyclorama began, but did paint a Civil War panorama in 1863. There’s no disappointment in that for me. The journey to Gettysburg brought the story back to me, and there are so many potential storylines. A local historian in Memphis has been generous in finding some information, as well. I also suspect, as I shared a few times regarding Williamsburg Hill, this book, too, will be based a lot on folklore rather than historical accuracy. 

Finally, I’ll give a few clues. I enjoy dual/multiple timelines to tie a big story together, so that’s the plan for this one. I’ll share his surname later, but the man in Elmwood’s given name is ‘Sam’…and that’s how the readers will know him. I will make him as true to his history as I can. But along the way, there’s a fictional ‘Josephine’ that will, perhaps, affect his life. Other plans in the outline include the Yellow Fever epidemic, the mighty Mississippi River, Memphis, famous actors of that era, and another Sam…Samuel Langhorne Clemons, also known as Mark Twain. 

That’s the plan for now. But things change, stories evolve, and folklore will be a big part if it’s needed. As I always say and always mean, thank you to all who continue reading what I share.